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and things change for no good reason
but this is a love song for no one
hi dreamwidth :D
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Day One: Write ten lines of dialogue between two characters who had drunken sex last night and are not talking about it. Ever.
(Sakai/Aoi)
"What the fuck are you doing in my room?"
"This isn't your room. It's mine."
"...... you're shitting me."
"Look, Aoi, I can explain this--"
"I don't remember a single fucking thing after dinner last night, and now we're both naked in your hotel room. How the fuck are you going to explain this, Sakai?"
"Uh, you asked me out for dinner last night, remember? And then you got drunk and started to get horn--"
"Do me a favor and get some clothes on. This never happened."
"You're sitting on my boxers."
"...... fuck, I need a cigarette."
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Day Two: Write a scene in four sentences in which two characters bond over something that would seem trivial to a passerby.
"What the fuck are you doing in my room?"
"This isn't your room. It's mine."
"...... you're shitting me."
"Look, Aoi, I can explain this--"
"I don't remember a single fucking thing after dinner last night, and now we're both naked in your hotel room. How the fuck are you going to explain this, Sakai?"
"Uh, you asked me out for dinner last night, remember? And then you got drunk and started to get horn--"
"Do me a favor and get some clothes on. This never happened."
"You're sitting on my boxers."
"...... fuck, I need a cigarette."
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Day Two: Write a scene in four sentences in which two characters bond over something that would seem trivial to a passerby.
(Aoi/Uruha)
"We have roadies for this, you know." Uruha grumbles exasperatedly, annoyance written clearly on his face, but he begins to fuss around with the tangled cables anyway. "Come up with a better excuse the next time you want to talk to me."
Beside him, Aoi shrugs, glancing away to hide his grin.
- - -
"We have roadies for this, you know." Uruha grumbles exasperatedly, annoyance written clearly on his face, but he begins to fuss around with the tangled cables anyway. "Come up with a better excuse the next time you want to talk to me."
Beside him, Aoi shrugs, glancing away to hide his grin.
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Day Three: Write seven sentences from the perspective of a passerby witnessing Day Two's scene.
(Ruki)
After a whole day of relentless rehearsing, Kai finally lets them break for a while. Ruki trails back to the studio from a nearby fire exit, his place of choice for a smoke, hands stuffed inside empty pockets. How he could have left his pack of cigarettes inside the studio is beyond him, but here he is.
Ruki pauses by the door when he sees Uruha crouching with his back to him on the other side of the room, raising a brow since the blond is usually the first to leave for breaks. But then he catches a glimpse of bubblegum pink and he snorts knowingly.
Turning away, Ruki rolls his eyes and goes back the way he came. He can probably bum a cig from Reita anyway.
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Day Four: Write a character's reaction to someone's love confession in one sentence.
Day Five: Write a scene in eight sentences in which someone's going through his/her version of "It's a Wonderful Life."
Day Six: Write a scene in six sentences in which a character is searching for someone in the last moments of the end of the world.
Day Seven: Write a breakup scene in three sentences without giving the reason for it or using dialogue.
Day Eight: Write two characters' second kiss in two sentences.
(Reita/Uruha)
Their second kiss is only marginally less awkward than their first, heads tilting just right as their lips (instead of teeth) meet. But Reita remains stiff as a board, staring at the other with his eyes wide open, and Uruha pulls back, hardly able to suppress his laughter before Reita shuts him up with a third kiss.
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Day Nine: Ask flist for prompts. Write one sentence each for the first five prompts you receive.
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Day Ten: Use these lyrics as a prompt: "There's only now/There's only here/Give in to love/Or live in fear" ("Another Day" from RENT) and write a story in nine sentences.
(Ruki)
After a whole day of relentless rehearsing, Kai finally lets them break for a while. Ruki trails back to the studio from a nearby fire exit, his place of choice for a smoke, hands stuffed inside empty pockets. How he could have left his pack of cigarettes inside the studio is beyond him, but here he is.
Ruki pauses by the door when he sees Uruha crouching with his back to him on the other side of the room, raising a brow since the blond is usually the first to leave for breaks. But then he catches a glimpse of bubblegum pink and he snorts knowingly.
Turning away, Ruki rolls his eyes and goes back the way he came. He can probably bum a cig from Reita anyway.
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(Sugizo/Uruha, or any other fanboy)
I love you, are the words that fall from swollen lips, but flattery can only get you so far, and Sugizo presses an apologetic kiss to the younger man's forehead, feeling numb as he watches yet another heart break before his eyes.
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I love you, are the words that fall from swollen lips, but flattery can only get you so far, and Sugizo presses an apologetic kiss to the younger man's forehead, feeling numb as he watches yet another heart break before his eyes.
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Day Six: Write a scene in six sentences in which a character is searching for someone in the last moments of the end of the world.
(Kenzo/Aki)
The ground is shaking underneath his feet, and high above the ground buildings are swaying and crumbling, debris flying everywhere. Kenzo pushes through the crowd, craning his neck so he can see and muttering a curse when he can't. His phone, despite being rendered useless, is clutched in a vice-like grip by his side.
Fear isn't something he is used to, but right now he has to fight to keep calm as he shoves and stumbles his way along, heart beating so loudly it drowns out the people around him telling him to stop, go back. He doesn't know where Aki is, doesn't know if the other's safe or hurt, and the desperation is eating him alive, but he knows that Aki is still out there fighting for his life because Kenzo can't imagine otherwise.
He doesn't want to die yet, but with a familiar mess of black hair buried in his neck, Kenzo doesn't know what else to do except to pull the other close and whisper between kisses, I love you I love you I love you I fucking lov--.
- - -The ground is shaking underneath his feet, and high above the ground buildings are swaying and crumbling, debris flying everywhere. Kenzo pushes through the crowd, craning his neck so he can see and muttering a curse when he can't. His phone, despite being rendered useless, is clutched in a vice-like grip by his side.
Fear isn't something he is used to, but right now he has to fight to keep calm as he shoves and stumbles his way along, heart beating so loudly it drowns out the people around him telling him to stop, go back. He doesn't know where Aki is, doesn't know if the other's safe or hurt, and the desperation is eating him alive, but he knows that Aki is still out there fighting for his life because Kenzo can't imagine otherwise.
He doesn't want to die yet, but with a familiar mess of black hair buried in his neck, Kenzo doesn't know what else to do except to pull the other close and whisper between kisses, I love you I love you I love you I fucking lov--.
Day Seven: Write a breakup scene in three sentences without giving the reason for it or using dialogue.
(Reita/Ruki)
It is a messy breakup; voices raised and punches thrown, ugly words and accusations hurled at one another. Whatever love they had between them before was long gone, and, barely able to look at the other, he can only wonder at what has kept them together for the past few weeks.
Steeling himself, Reita leaves the apartment (and Ruki) without a backwards glance, slamming the door behind him.
- - -
It is a messy breakup; voices raised and punches thrown, ugly words and accusations hurled at one another. Whatever love they had between them before was long gone, and, barely able to look at the other, he can only wonder at what has kept them together for the past few weeks.
Steeling himself, Reita leaves the apartment (and Ruki) without a backwards glance, slamming the door behind him.
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Day Eight: Write two characters' second kiss in two sentences.
(Reita/Uruha)
Their second kiss is only marginally less awkward than their first, heads tilting just right as their lips (instead of teeth) meet. But Reita remains stiff as a board, staring at the other with his eyes wide open, and Uruha pulls back, hardly able to suppress his laughter before Reita shuts him up with a third kiss.
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